Our studio work will be nearly all digital graphics next year, so with this knowledge I especially enjoyed the opportunity to work on and improve my hand graphics skills. The prevailing hand graphics style in landscape architecture is stylized and geometrical, as one might expect. Nonetheless, personal style (so long as it is somewhat refined and "readable") is admired and encouraged. Also, it is still a necessary skill. Firms (so our profs tell us) look for good hand graphics when hiring interns and staff.
Some people naturally have a personal style that adheres more closely to the LA "norm." This is sort of hard to explain, but I guess there is a graphic standard of sorts. It is the kind of drawing that you see in books teaching presentation graphics. One of my classmates has it. His drawings are beautifully technical. His handwriting is brilliantly clear and precise, in a really pleasing way. I aspire to perfect my handwriting; I know he's worked to get it so precise.
Looking back at my drawings from the year, I know I'm evolving a style of my own, which is really kind of exciting. It is equally as cool to see the distinct styles of my classmates. If I saw a book of only their drawings, I know I could identify the artist by the marks.
An elevation drawing from my final studio project
A second elevation, same project as top (this elevation is "perpendicular" to the one at top, showing the end, instead of the side, of the vine-covered pavilion)
Plan view of my pocket park for Graphics II
Axonometric view of the same park. I encourage you to click on this image to enlarge. There are lots of details, such as the one below. I had fun drawing the people at the café-bar. See? They are listening to the jazz trio playing on the terrace.